ltc collectors item, incl -sticker plates, 6 fine art prints, rubber patch

the new album from french singer / songwriter / director / designer woodkid aka yoann lemoine. pressed on black 180 gram double vinyl, housed in a gatefold sleeve.

charli xcx with the perfect lockdown album. clear vinyl pressing, housed in a gatefold sleeve.

4x black vinyl lp in double gatefold sleeve, including 16 page book with photos by anton corbijn. live at the chase center, san francisco / 2019

4 x coloured lps, 1 x blu-ray, 2 x cd in a digisleeve, 28pg 12- booklet, poster, sheet music, 5 x guitar picks, all housed in a 12: lift off lid box.

tsunami records celebrates its 50th release with a massive v/a compilation on double vinyl.

2x12 inch lp dead prez aka dead prez , hip-hop-duo from florida formed by stic.man und m-1. hardcore-rap, inspired by public enemy und malcolm x.

since originally hailing from the italian southcoast club scene, z.i.p.p.o has established himself as a regular dj at berghain, tresor and fabric while releasing full-frontal cuts on the likes of suburban avenue, enemy and ben sims machine imprint with support from ryan elliot and dvs1. a key involve records artist, he now brings back his fresh otherworldly and electro-tinged techno to regals esteemed imprint.

three dispatch release bundled up for one special price! (dis045 / dis070 / dis108)

r.i.p

sean price and lil fame team up for the price of fame album. features m.o.p., smif n wessun, rock of heltah skeltah, conway the machine & guilty simpson. pressed on green splatter vinyl.

karim maas own signature sound is perfectly fitting into the ethos of the stone tapes.

new longplayer from trippie red on dark red / smokey marbled vinyl.

tim tama kick-starts his new label dreamscape music.

scan 7 in transmat klasse house ep

the finest in trip-hop on double vinyl.

the best of 90s trance on limited edition 4x12 inch vinyl, housed in a gatefold sleeve.

cassette + sticker + download. limited to 50 cassettes

ltd edition !!

der zweite teil einer reihe von eps des locust-projekts von mark van hoen. in anlehnung an marks charakteristische interpretation von techno hält green noch einige weitere Überraschungen für uns bereit, darunter eine diesmal nur geringfügig glänzendere stimmung, ohne die harten dancefloor-hymnen zu beeinträchtigen.

max richter’s original motion picture soundtrack for “never look away” on 180 gram double vinyl, housed in a gatefold sleeve with download code included.

the mighty dj spider lands on green village

fresh off the success of their latest album fear of a brown planet, brownout hit back with a limited gold 7inch featuring album highlight trackstar the dj to the edge of panic, backed by a scorching non-album cut she watches channel zero. 2 public enemy classics brought to life by the tightest and funkiest band on the road today!

standard edition, heavyweight vinyl and printed inner sleeve + digital bonus of rare demos and oddities

limited lenticular edition of 500. 10 year anniversary edition w/ heavyweight vinyl, printed inner sleeve + digital bonus of rare demos and oddities

the debut album from brass against back in stock!

played by rick hopkins, owen jay (batti batti / gaus )

the 2nd vinyl release

the debut album from renegade trio mutant beat dance (traxx aka melvin oliphant, beau wanzer and steve summers) takes the wild and free sound of chicago’s music box era into the 21st century. ben ufo: -it s such a killer record!- mutant beat dance return with their debut self-titled 25 track album. contains booklet of images (in development since 2015). limited edition!! . over twenty-five tracks the album mines an oft cited but rarely understood ground at the intersection of post-punk, minimal wave, industrial, disco dub, ebm and proto-house / early-house. “mutant beat dance ” is an epic journey into a classic american ideology that had its apex in chicago

auch wenn yves tumor die bühne wie ein heulender cyperpunk-geist betritt, der den zuschauer erschlägt, vereint seine musik kaleidoskopisches songwriting mit lobotomisierten soundexperimenten. diese dualität offenbart sich schleichend, aber einzelne spuren und bilder aus musik und text erzeugen den eindruck, dass durch erfahrung und zuhören am ende alles perfekt im fokus zusammenfliesst. so schreibt pitchfork zur vorabsingle noid: anstatt zwischen genrereferenzen umherzuirren, wirft tumor sie in irritierende und fesselnde kontraste zusammen. noid versenkt den allgemeinen, Überschwenglichen duktus von disco und soul in ein spukendes fass voller verzweiflung. es ist ein schöner neuer ansatz von pop-düsterheit, die nur tumor so heraufbeschwören kann

raw modular synth techno jams!

skinny pelembe corrals together a cast of talented friends for his new ep. it’s his most ambitious release to date, boasting a different group or artist featuring on each of its tracks, each of them an act he’s met through music or through linking with brownswood’s celebrated talent development programme future bubblers two years ago. across its four entries, he bridges hip-hop, psych-rock and jazz-influenced tangents, cutting out a diverse cross-section of the city’s music scene. it’s a document of the connections he’s made as an artist, and is the most collaborative project he’s worked on so far. the title of the ep comes from some advice which skinny noted to himself on an old notebook. each of its songs started as a rough idea which was then fleshed out and re-imagined with his collaborators.

kodaema presents its second ep black cloud, featuring five tracks to be released in spring, after the success of the debut ep end of 2016, highly acclaimed by gilles peterson and bradley zero. a mature and elaborate work, in which the bands influences take shape. from wonder featuring kiala nzatovunga, to the impressing water no get enemy, covering fela kuti, along with black clouds enveloping harmonics, kodaema delivers a unique & personal sound. the record was mixed in los angeles by benjamin tierney (kamasi washington, shaq husayn) and mastering has been done by engineer kelly hibbert (j dilla, madlib, flying lotus)

produced by eminem, compiled by the alchimist. 2018 back in.

two long-time friends juho kusti (deep space helsinki, parabel) and ville vähäsaari (rezonans) bring you their brand new label, no future but what we make. the label’s first release features two broken beat burners on the a-side from detroit-based uun (mord, ego death) coupled with a more straightforward remix from acid mammoths boston 168 (bpitch control, odd even, enemy records) on the b-side. make a difference. get involved. there’s no future but what we make.

ph17 keep things wavy with a various artist compilation full of hazy ambient works and hard-hitting trance made for the after-hours.

healing breaks and idm from emerging latin sonic hustlers. medellín electronics at its best.

the shortest connection between the past and the future leads through the music of boston 168. drawing inspiration from both classic and contemporary approaches to the acid techno sound, early nineties rave culture and the throbbing pulse of the now, sergio pace and vincenzo ferramosca have carved out a niche for themselves which over the past four years has become a musical microcosm of its own. having released a slew of records on such labels as involve, attic, odd even and dustin zahn s enemy, the italian duo now presents its most cohesive musical statement thus far on ellen allien s bpitch. on the three tracks of »drops in heaven«, boston 168 seamlessly mold together lysergic acid lines with elements of nineties ambient techno and a rhythmic groundwork that is as thrilling as it is intricate. »cosmic tribe« translates its idea of universal togetherness into a nerve-wrecking groove punctuated by complex percussion work and a subtly building acid line, while »drops in heaven« uses a booming kick drum as base for an emotionally driven exploration of sonic textures. the psychedelic »straight to light« nods to nineties pioneers like emmanuel top, showcasing ferramosca and pace s talent for creating musical depth by ingeniously bringing together a few select elements to greater effect. these are tracks that relentlessly head towards the unknown final frontier of what techno can sound like in 2018, while not in the least neglecting the rich tradition that they draw from.

officially reissued at last! considered by many to be a genuine ‘holy grail’ of soul & funk. featuring ‘miracles’ as sampled by public enemy, basement jaxx, arrested development and many more.

the best of stereophonics on heavyweight black double vinyl. housed in a gatefold .

blue 180 gram vinyl in gatefold sleeve with download code included.

clear 180 gram vinyl in gatefold sleeve with download code included.

the nyc and berlin based group were invited to aurally explore the archive of the seminal french director jean-luc godard and release their interpretations in an innovative new album what we leave behind. drawing on godards personal collection of shot film, reel- to-reels and historical ephemera, the recordings reveal the moments before and after the camera rolls, from stage directions and on-set asides to rehearsals, false stars and outtakes.

originally released in ‘06/’07 as the appetizer to only built 4 cuban linx ii, the vatican mixtape series consists of a vast collection of unreleased tracks, wu & solo classics (“shame on a ni**a”, “diesel”, “ghetto boy”, & “yae-yo”), as well as some of rae’s best guest work through the years (“the heist”, “brown paper bag”, & “bump bump”). volume 3 features verses from fat joe, tek & steele, ill bill, and several wu-tang brethren including, ghostface killah, masta killa, & inspectah deck. this 2xlp is the first time this volume and series gets pressed to wax, and features completely new artwork for a fresh look.

american producer dustin zahn readies the next release on rekids special projects this april with four vigorous cuts entitled take the throne. dustin zahn has been flying the techno flag for two decades, releasing on labels like rekids when not helming the berlin-based enemy records, a label which has released music from artists like fellow us techno stalwart ambivalent, arts boss emmanuel, and innervisions producer yotam avni. zahn is also respected for train wrecks, his weekly podcast series inviting members of the house and techno community to discuss a wide variety of music and industry related topics and stories. the release opens with the thumping kicks and sci-fi melodies of take the throne before rolling into the dubby tones, infectious claps and rattling white noise of decorum. the atmospheric nameless midnight then follows, packed with echoing synths, tantalising effects and a twisted vocal sample that weaves throughout, arriving at the final track subtle flex where escalating synths meet syncopated percussion.

remastered and resissued double a sider for soul aficionados, b boys and jazz funk lovers. both instantly recognisable across the generations, the a side sees a reissue of one of the most feel good records out there in express yourself. most famously sampled by the mighty n.w.a. in 89. whatever you do, do it good. on flip you get pure funk destruction in the form of the meters just kissed my baby. an insatiable, groove laden intro which has been prime sampling material throughout the years most notably in public enemy s timebomb. here s a chance to own two gems on one limited green coloured vinyl, with a large / dinked centre hole

remastered reissue of the self-titled debut album from ratm, originally released in 1992. pressing on 180 gram vinyl

tokyo based dj/producer tsuyoshi ogawa presents -seven samurai-. this vinyl-only label has been founded in 2018 and it is operating in tokyo, japan. it pays tribute to the japanese legendary movie director -akira kurosawa-. therefore, the name of the label comes from his film -seven samurai- and the tracks on the vinyl have been recorded using sound effects from the original movie s scenes. -seven samurai 001- is the memorable first ep produced by tsuyoshi ogawa. the 1st track, -seven samurai-, was recorded using the voice sample from the movie -seven samurai- by akira kurosawa: -everything s riding on this battle!-, which brings us a sign of the start of the samurai battle. here, the 2nd track -shadow enemy-, expresses the fear and tension of invisible enemies, whereas the 3rd track -kannon soleil- leads to the end of the battle by buddha who comes from the sky. this ep is dedicated to kurosawa as a new spiritual soundtrack for seven samurai.